Tuesday, March 21, 2006

Darkness

At the moment, words and writers are making patterns in my mind, though I cannot yet wholly see or understand the shape they form. I reach into the dark...

Into this wild abyss,
The womb of nature and perhaps her grave,
Of neither sea, nor shore, nor air, nor fire,
But all these in their pregnant causes mixed
Confusedly, and which thus must ever fight,
Unless the almighty maker them ordain
His dark materials to create more worlds...

-Milton, Paradise Lost, Book II, ll. 910-916


Finding yourself in a hole, at the bottom of a hole, in almost total solitude, and discovering that only writing can save you. To be without the slightest subject for a book, the slightest idea for a book, is to find yourself, once again, before a book. A vast emptiness. A possible book. Before nothing. Before something like living, naked writing, like something terrible, terrible to overcome.

-Marguerite Duras, Writing


The storyteller of the tribe puts together phrases and images: the younger son gets lost in the forest, he sees a light in the distance, he walks and walks; the fable unwinds from sentence to sentence, and where is it leading? To the point at which something not yet said, something as yet only darkly felt by presentiment, suddenly appears and seizes us and tears us to pieces, like the fangs of a man-eating witch. Through the forest of fairy-tale the vibrancy of myth passes like a shudder of wind.

-Italo Calvino, Cybernetics and Ghosts


In order to go to the School of Dreams, something must be displaced, starting with the bed. One has to get going. This is what writing is, starting off. It has to do with activity and passivity. This does not mean one will get there. Writing is not arriving; most of the time it's not arriving. One must go on foot, with the body. One has to go away, leave the self. How far must one not arrive in order to write, how far must one wander and wear out and have pleasure? One must walk as far as the night. One's own night. Walking through the self toward the dark.

-Helene Cixous, Three Steps on the Ladder of Writing


The moon had set by now, and the sky to the south was profoundly dark, though the billions of stars lay on it like diamonds on velvet. They were outshone, though, by the Aurora, outshone a hundred times. Never had Lyra seen it so brilliant and dramatic; with every twitch and shiver, new miracles of light danced across the sky. And behind the ever-changing gauze of light that other world, that sunlit sky, was clear and solid...
... And as he said that, the Aurora flickered and dimmed, like an anbaric bulb at the end of its life, and then went out altogether. In the gloom, though, Lyra sensed the presence of the Dust, for the air seemed to be full of dark intentions, like the forms of thoughts not yet born...

-Philip Pullman, Northern Lights, His Dark Materials trilogy



1 comment:

Anonymous said...

a dynamic, intriguing, metamorphising space...I'm glad you're back